![]() This solution replaces traditional hardware waveforms, vectorscopes, preview monitors and direct-to-disk recording tools. So Adobe perhaps haven't yet seen AE as a correction and mastering package, expecting you to do such things in PP. Divergent Media has announced the immediate availability of ScopeBox, the first suite of Mac-based image monitoring, capture and analysis software for video production and post production. For instance, Premiere has had the three-way corrector for a while, and AE didn't have anything like that natively until Color Finesse started being bundled with it. ![]() ![]() Having said that, I can see that the other reason for AE not having monitoring is that it's only recently that it became better at correction and grading (at least IMO) than Premiere. However I can see that there's no explicit reason there for Adobe to not give you other monitoring options to better use third-party stuff. So I suspect that's why Adobe haven't bothered with native monitoring, since it does seem they expect you to use CF3 as a fairly fully-fledged solution. ![]() In fact it's one of the reasons I'm not such a fan of Colorista 2. I use the bundled Color Finesse plugin almost exclusively for any colour correction and grading, which includes all manner of waveforms and vectorscopes. ![]()
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